Human Programming Technologies
The Great Work is an ancient technology, being the eternal life-way given to Adam; the rites and ceremonies carry it out and demonstrate your progress in it.
The regular congregational services, including the unified prayer, combine the efforts of solitary practitioners, contributing to the Great Work.
Many of these rituals involve opening gateways to realms that cannot be reached directly from our own. However, consciousness rests on the cusp between our world and the ones beyond.
The Human Programming Technologies are a subset of the Applied Spiritual Technologies, and relate to manipulating the consciousness to accelerate attaining Continuation of Consciousness and Ascension.
These technologies help transition into the necessary states of consciousness for opening the gateways, bringing into the modern era the Great Work, this stone age technology.
Sound (or Light), or more specifically, waves, is the fundamental nature of existence. Consciousness is a wave; existence is the product of consciousness. This is the wisdom of the Divine Sciences–this sort of code that underlies all things.
Like an in-game item, created by leveraging the game’s code, these technologies apply that wisdom, rapidly transitioning the consciousness into states that would otherwise take decades to attain.
God gave us the Great Work, so we could carry out our spiritual transformation, and He gave us intellect to develop technologies to accelerate our efforts in the Great Work.
These technologies use sound and light to help you successively unlock levels of progress in the Great Work.
The technology is applied over two channels:
- audio (Sound)
- visual (Light)
Audio Channel
The audio channel is applied in successive layers, each layer building upon the one before. The true complexity of the implementation has been watered down to be presented here.
- base frequency
- modern base frequency
- solfeggio frequencies
- modern time keeping
- traditional time keeping
- resonant frequencies
- pitch intervals
- modern temperament
- traditional tuning
- scales, modes and chords
- tempo
- modulations and harmonic rhythm
- infrasound
- binaural beats
- isochronic pulses
- temporal phasing
- textures
- melodic rhythm
- subliminal programming
- audio engineering
Base Frequency
There are three main schools of thought for selecting the correct base frequency, known as Tuning the Yellow Bell.
- modern base frequency
- solfeggio frequencies
- resonant frequencies
More than trendy buzzwords, this is the base frequency, the pitch to which the pitch ratios are relative.
Modern Base Frequency
A4 = 440 hz
Solfeggio Frequencies
These are commonly found in New Age traditions.
For example, A4 = 432 hz
Within this category, there are two main schools of thought for selecting the unit of measurement for the solfeggio frequencies. Both are measured in hertz, or cycles per second.
- modern time keeping
- traditional time keeping
An additional consideration whether it is more effective to use the traditional base ten as opposed to the ancient base twelve when generating the set of solfeggio frequencies.
Traditional Time Keeping
Most people know that traditionally, sunset is considered to mark the beginning of the day-night cycle.
But not as many know that the daytime proper was considered to be the time between sunrise and sunset. Dividing this period into twelve equal parts marked the hours of the day. The nighttime proper was likewise divided.
It follows from this that the specific pitch represented by the solfeggio frequencies would vary with the day-night cycle, the seasons and even the progression of the equinox.
Resonant Frequencies
This method targets the resonant frequency of an arbitrary substance under your environmental conditions, such as temperature, pressure, gravity, etc.
The spectrum of pitches can be iterated until the target resonates, determining the correct frequency by brute force.
Usually, this technique is used to target pure water or preferrably a saline solution. We prefer this empirical approach to Tuning the Yellow Bell.
Pitch Intervals
These ratios are computed against the base frequency and define the precise spacing between the notes in the chromatic scale.
There are two main categories of techniques for selecting the pitch intervals:
- modern temperament
- traditional tuning
Modern Temperament
Simplifies handling of the various scales and modes, eliminating traditionally unusable intervals.
Traditional Tuning
Uses relatively simple pitch ratios to reduce acoustic beats and to enhance the cymatic effects of the base frequency.
Scales, Modes and Chords
Here, the chromatic scale is implied to have twelve notes, and is associated with other concepts such as time-keeping.
Other chromatic scale lengths can be used, but they each require significantly more notes in order to get equal-enough spacing between them within the octave.
A scale is a subset of the notes in the chromatic scale, and a layer of indirection constructed with a sequence of intervals. This process of using a relatively prime subset length appears in several places in the harmonic fractal.
Here, “scale” specifically refers to a septatonic scale, the notes being associated with the Seven Seals. The pentatonic scales can be treated as subsets of the septatonic scales, and are handled similarly to chords.
The mode or mood is a rotation of the scale. The combination of scale and mode relates to the Seven Seals. Each of the Seven Seals colors the energy with certain qualities.
Chords are subsets of the scale, and perform different functions in each mode. They comprise the vertical axis of harmony.
The pentatonic scales are typically used to simplify melodic improvisation over a particular chord, usually helping to avoid non-harmonic tones.
Tempo
Entraining the heartbeat, this musical feature combines with the mode, which gives context to the induced physiological state, causing specific affects or emotions.
Modulations and Harmonic Rhythm
The product of the axes of harmony, these cause the movement of energy through the Seven Seals.
A common misconception is that collecting more energy into the Seals will unlock them. It instead causes stagnation of these energies.
Many traditions recommend releasing the energy after the work. This practice is successful, because it does ultimately increase the amount of energy which passes through the Seal.
In other words, the throughput of energy unlocks the Seven Seals. However, merely maximizing the throughput can be inauspicious, as observed in Feng Shui.
The energy must be colored with certain qualities and channeled at precise rates to precise locations. This is an arcane art, after all.
Infrasound
This layer may be manifest in either the pitch or the tempo, depending the specific technology used.
This layer induces deeper states of consciousness, which are necessary for advancement in the Great Work. They furthermore increase the effectiveness of prayers.
For maximum effectiveness, the listener should audiate the implied infrasonic pitch.
- Binaural beats
- Isochronic pulses
- Temporal phasing
Textures
The pure tones are not heard in nature; at this layer, they are imbued with elemental qualities, by mapping the harmonic voices to instrument categories.
Melodic Rhythm
This layer encodes the rhythmic cadence of the prayer, and presents it to the conscious mind, causing that rhythm to act as a sort of sigil to activate the prayer.
Subliminal Programming
The infrasound and melodic rhythm multiply the effectiveness of this layer, which embeds an arbitrary prayer into the subconscious mind of the listener.
The prayer must be encoded in positive terms: a positive affirmation.
Every thought creates an Angel, so to speak, and this technology increase the power of these thoughts by several fold.
Audio Engineering
This is the ultimate aspect of the audio channel: If stereophonic sound is being used, then the instrumental voices can be delivered to each ear at slight offsets to give the impression of a specific geometry, simulating an arbitrary arrangement of an ensemble within an arbitrary concert hall.
This layer combines with the ultimate aspect of the visual channel, assisting in attaining Ascension.
Visual Channel
This channel is characterized by using animations to enhance the viewer’s mental retention of sigils (yantras) for the purpose of visualization and use as a focus during Dhyana Meditation.
Unlike the audio channel, these aspects are not necessarily arranged into layers:
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Important graphics, including subliminal programming are presented during syncopated beats. For example, the animation might be paused at this point.
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Aggregated data is accompanied with music characterized by tritone intervals, and anecdotal data is accompanied with music characterized by perfect fifths.
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Additionally, graphics can be used to provide more context for interpreting the tempo and mode.
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Extra-dimensional graphics
The underlying stack of technologies is the culmination of over twelve millennia of research in the Divine Sciences and it assists with attaining Continuation of Consciousness.
Extra-Dimensional Graphics
The ultimate aspect of the visual channel is 4-dimensional, non-euclidean graphics. Regular, extended viewing of such graphics enables you to dream in four dimensions–to enter into 4-dimensional dream worlds, marking the attainment of Level 4 Ascension.
The combination of the ultimate aspects of the audio and visual channels creates an immersive experience, simulating an arbitrary dimensionality and topology.
The resulting experience is otherworldly, literally making these otherwords accessible even to the laypeople.
Once the prototype has undergone sufficiently many iterations of development, it will be ready for widespread use when we will attain the point of spiritual singularity, the apex of a spirituality-driven, technological civilization.